Entrevista a Leticia Sánchez Ruiz | Revista de Letras
We value your privacy
We use cookies to enhance your browsing experience, serve personalized ads or content, and analyze our traffic. By clicking "Accept All", you consent to our use of cookies.
Customize Consent Preferences
We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.
The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ...
Always Active
Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.
No cookies to display.
Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.
No cookies to display.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.
No cookies to display.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
No cookies to display.
Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.
La estructura de “madejas†que vas cruzando con persistencia de lluvia hasta conseguir una firme trenza a modo de peinado, ¿cómo se te ocurre para esta novela?
Felipe es uno de esos tipos que se iban a comer el mundo y terminaron poniendo un bar. ¿Crees que las revoluciones han terminado y convertiremos nuestra sociedad en una «ciudad bar»?
Se habla mucho de novelas femeninas y novelas masculinas. ¿Cómo consigues un equilibrio tan preciso en la construcción de tus personajes ya sean mujeres u hombres?
Pedro Crenes Castro (Panamá, 1972), es columnista en 'La Prensa' y colaborador en la revista hispanoamericana 'Otro Lunes'. Es autor de los libros “El boxeador catequistaâ€, “Microndoâ€, "Cómo ser Charles Atlas" y "Crónicas del solar". Actualmente imparte talleres literarios en “Párrafos. Talleres de escritura†en la ciudad de Vigo.